Maybe Only God Knows the Pure Love也许只有上帝知道纯粹的爱

Beginning with the end of a close relationship and the cracked landscape of a former salt lake, the work considers whether love, loss, and environmental change might all be understood as forms of “mercy” unfolding over time. A shell-like shelter appears to offer safety yet remains vulnerable to external forces, allowing protection and precarity to coexist within the same dwelling.

作品从一段重要关系的结束与盐湖退化后的干裂地貌出发，思考爱、失去与环境变化是否都可能被理解为漫长时间中的一种“仁慈”。贝壳般的庇护结构看似提供安全，却始终可能被外部力量破坏，使居所同时显露出保护与脆弱。

The work places an emotional rupture beside saline land that was once covered by water and is now dry and cracked. The shell offers a contradictory image of shelter: it can contain a body while remaining vulnerable to the ocean, predation, and time. Fabric, wood, rock, and modelled forms treat “home” as a temporary place of rest rather than a permanently secure space.

作品把情感上的断裂与曾经被水覆盖、如今干涸的盐碱地并置。贝壳作为庇护的象征同时包含矛盾：它能包裹身体，却也可能被海洋、捕食或时间轻易摧毁。装置中的织物、木材、石块和塑形结构把“家”处理成一种暂时的停留，而非永久稳定的安全空间。